preserves

See it as an anniversary

Today I peered into a jar of marmalade and using a dessert fork poked for the thickest slices of rind I could find amidst the jelly. The jar was a narrow-mouthed 16 oz. Kerr brand bottle I filled with pink grapefruit and lemon marmalade a year ago. I remember making the marmalade. The steam from boiling down the preserve almost obscured my view of a clear Seattle winter day. The rich, almost unbelievable ever-fresh scent of citrus oils driving into the apartment air from two pots on the stove replaced any longing I had for heading outside. The smell of cut lemons cooking, unfolding and releasing every bit of their flavor and pectin into simmering water, still catches me by surprise. I marvel at the magnetic quality of something so impossible to eat on its own like a lemon. The vapors of paradox pierced the whole house. Siren-like, the lemon whet my senses promising brightness without any fuzz or haze.

20130203-144536.jpg

It's been about a year since I started this preserves project. That jar of pink grapefruit and lemon marmalade I mentioned earlier was my first stab at the preserving methods laid out in Rachel Saunder's Blue Chair Fruit Cookbook. The leftovers are pictured above. Today they look more like specimens than jars of food. That makes routing around in them easier. I went through a period of being embarrassed that I'd actually given jars of the marmalade away as gifts. But the pink grapefruit and lemon marmalade is a year old and it's qualities are less troublesome. Now it's a sweet artifact of my last year intensively studying jam and marmalade-making.

20130203-185446.jpg

I checked the Blue Chair cookbook out from the library when I signed up to be a class assistant to Rachel Saunder's Marmalade 101 course at Delancey's Pantry, the Seattle restaurant's farm-chic backroom space for cooking classes. I had a week to look at the cookbook before the marmalade class. I remembered finding the book overwhelming, but interesting. The sheer number of recipes was surprising, the size of the book for just one subject, jam. I had never had citrus so delineated as a subject. I'd heard of Bergamot oranges but i never thought of them as a fruit to hold in the hand. And then the specificity about strawberry varieties, cherry varieties and sentences like, "use late-season Pluots such as Flavor Grenade or Flavor Rosa". So much to think about and keep track of while making jam.

I don't think it's an unfamiliar idea that detailed presentations can initially appear over- opinionated, even narrow. Maybe though, we let ourselves fall in-step and what initially felt tight now looks expansive. Each directive is a piece of information. Nine recipes for orange marmalade teach how certain spices effect flavor, how the size of the fruit pieces change a marmalade, when to add vanilla extract versus orange blossom water. Maybe all these choices are annoying. Maybe they clutter the flavor of a preserve. Or maybe we just learn more from such particularities.

20130203-160646.jpg

When I look at that fork the varying slices of pink grapefruit rind reflect all the uncertainty and excitement I felt approaching the Blue Chair recipe. I had so many questions. And actually I am still unsure what size to cut that rind. I chose what I remember Rachel saying was one of the most challenging marmalades in her book. (Trying to show off is my way of being excited.) I made this marmalade with sugar although before I mixed the sugar in with the two kinds of grapefruit juice, the two kinds of lemon juice, and the sliced grapefruit rinds, I reserved a small portion of the mixture to sweeten with honey. That would be for me I remember thinking.

Cooking that marmalade, both the honey and sugar versions, was like going out to sea with charts I could read but not interpret.

20130203-185312.jpg Besides the wildly different sizing of my grapefruit rinds, I bottled the sugar marmalade too quickly after it came off the heat and all the solids shot to the top of the jars. Both marmalades were overdone, the honey one exceedingly so, but all told, it felt like a success. I decided to give jars away immediately. (More signs of excitement.) I handed them out to my co-workers at Theo.

I found my honey sweetened marmalade poorly textured and very bitter, but it set! A honey preserve had set hard! This meant beautiful jams like the ones made by Blue Chair Fruit were possible. I just had to figure out which fruits and what kind of honey made good preserves. I already had some ideas. The previous year I accidentally made perfectly spreadable Blueberry butter and my apricot preserves from the same year turned out remarkably thick. The Blue Chair Cookbook contained the rest of the clues. I just knew it.

A "CSA" for preserves: the Winter Honey Preserves Subscription

20121215-222101.jpgEach week in my kitchen I make densely textured and fruit-redolent jams with just honey, fruit and lemon juice. Be a part of product development, invest in a fledgling project and the making of a tiny business by subscribing and you shall receive the very best of the these small jam batches. The subscription runs January- March, those quiet months. In the subscription, marmalade abounds (seville oranges, meyer lemons, tangerines, grapefruit) along with quince, apple, guava, pear, kumquat, cranberry, and pomegranate preserves.

Preserve Packages ranging from 3 to 9 jars. Jars are 6 ounces.

3 jars >; $34* 5 jars >; $52* 7 jars >; $72* 9 jars >; $86*

*suggested donation

To work out the details, email me vmsmiley [at] gmail [dot] com or leave a comment/question below.

Thank you

Give the gift of a sweet winter.

20121211-120257.jpg Sometimes the sun really shines in the winter and when it does and I have a warm scone at my fingertips, I see the crown that fruit preserves set upon food. Another jam maker in Seattle, Deluxe Foods, likens some of their preserves to jewels. I love this. Fruit and sugar behind glass can so easily become just another jar of jam. Maybe your mother made jam as you grew up or you have a friend that gifts jam every year and it ends up pushed to the nether regions of your kitchen shelves alongside condensed milk and an open package of nori. The idea of jams as edible jewels is precious for something gustatory like jam-eating, but it still captures how I think of preserves as functional, shiny treasure amongst the canned beans and cereal boxes.

This is a long-winded intro/plug for my winter preserve subscription! The subscription starts after the holidays when winter settles. The preserves offer a celebration of the season with lots of citrus, pear, apples, quince, etc., but also a respite with jars of plums from summer and the promise of escape and warmth given by sweetness. Like the summer honey preserves subscription, this is for friends and family and I think it would make a great gift for your friends and family who love food and who dig the idea of supporting a fledgling local food venture. All the details for the winter honey preserves subscription can be found here.

Post Party Notes

Playing for Favorites.

I woke up the morning after the jam party, the coming out event I put on for my ongoing project with honey preserved fruit, wanting to continue the party. Over the course of the previous afternoon and evening, as people came and went from my apartment, I settled on the pecan shortbreads (an Elana Amsterdam recipe from Gluten Free Almond Flour Cookbook) mounded with crème fraiche and topped with jam as my snack when I sensed my energy flagging. I tried a different jam each time. The jam jars, all 33, were still out on the shelf as I got ready for work the following morning. Wooden tasting spoons stood clustered and at attention in mason jars placed around the room. I used one to spoon scoops of jam for today’s crème fraiche and shortbread breakfast. With a hangover from yesterday’s party giddiness (nerves not alcohol) now settled in my stomach and at the back of my head, I didn’t have much of an appetite. I ate out of utility, finding energy for the work-day, but tasting the jams gave me a small reenactment of yesterday’s pleasure when friends gathered sampling all the jams and taking home their favorites.

Some of the choices surprised me. Tomato preserves, from the simple Tomato Jam to the Tomato Marmalade (Orange and Lemon slices) and Tomato Plum Preserves had stymied my summer subscribers. I still owe one subscriber an email outlining uses for tomato preserves. Bacon, sourdough bread, chevre, and more bacon come to mind. For the party, between Amy and I, we cooked 6 pounds of bacon to set the sandwich bar up with a vengeance. When eaten with bacon, the Tomato Jam tastes like the most luxurious ketchup. Maybe there is a genetic component to adoring tomato preserves? They baffled my whole family, but certain folks at the jam party couldn’t ferret out enough jars of Tomato Jam to take home with them.

Keep the Color.

Oxidation….gross or just the sign of natural preserving methods? I made a lot of Apricot Butter in July, using the 30-pound box of apricots I brought from Mair Taki Farm to play with different infusions and flavors. I made flavors like Rose and Apricot and Espelette (a Basque chili) and Star Anise with Apricot. Now November, and despite liberal use of lemon juice in my recipe, the very top of the jarred Apricot Butter is darkening. The same happens to the Golden Raspberry Jam and the Aprium and even the Strawberry Orange and Strawberry Pluot though with the strawberry jams it’s harder to discern the darkening because it shows less against the red jams.

I held onto two jars of marmalade from Rachel Saunders’ Marmalade classes at the Pantry last winter. The marmalades are made with sugar and they too have darkened though not nearly as significantly as my Apricot Butters. I can’t decide what I think about oxidation. It’s a question of aesthetics versus process. I don’t worry about the color changes in the red hued jams because the shift is so subtle, but with a brilliant orange colored jar of apricot, does part of the enjoyment come from the color? And is something lost from the eating experience when the orange fades to brown? Or is the great integrity of naturalness—the honesty of letting it all hang out—lost from the jam-making process when I add the smallest bit of powdered citric acid to keep the color?

The natural in naturalness is complicated. There is a fair amount of fuss involved in making simple-looking, simple-tasting, simple-intentioned food. Thinking about the jam I want to make, I have to wonder how disruptive a little citric acid is compared to when I take three days to make 8 jars of marmalade or when I cut apples for a preserve into three different size categories to achieve spreadable jam still redolent with fruit chunks. Does a jam taste the most like the sum of its contents when you throw the contents into a pot and cook them down or when you carefully develop all the parts of the apple flavor by including apple juice, apple pieces, and apple brandy, each prepared separately and then combined to cook down into a jam? In other words, is the addition of citric acid really just a piece of good technique that maintains a fruit’s golden character?

No-Name Jam.

Earlier I was thinking about people’s favorite jam flavors. So far, Tayberry Jam wins hands down. The name, Tayberry, is exotic and nostalgic at the same time. Just what is a Tayberry, people ask in a tone that says, “I feel like I know this but can you just remind me?”. Tayberry, by the way, is a Scottish cross of black raspberry and blackberry. In the days following my project-launch-style jam party, I’ve thought about names, business names specifically. The quest is part of a larger question of what to do next with my project. For being so fond of words, I’m surprised by how stumped I am for a business name. Good, even decent ideas are few. My wish to avoid kitsch, cuteness, Latin, new-age (wu-wu), thesauruses, words that require a dictionary, ampersands, and sentimentality, might just about wipe out all genuine choices because the truth is I love all of the above. Just not for my business name. Don’t worry, I’m not going with No-Name Jam! For me, a seafood restaurant chain on the East Coast takes all the association with it on that name. No, the ideas that come to mind are always one or two words preceding the word preserves. The other day when I came home from work frustrated about the game of knowledge tossed around in a restaurant kitchen, I wanted to name the jam project, Wide-Eyed Preserves. But does wide-eyed make you think of innocence or a scary movie? And is innocence a positive? It seems to me a name must be both concrete in imagery and positive in association.

This is where the Tayberry comes back. A couple months ago I wrote a post called Tayberry Heart. I’d just fallen in love with the berry and was struck by its raspberry façade and its blackberry core, that white center to which the berry’s aggregate drupes cling. Now I also love the Tayberry for being the perfect first spokesjam of my honey preserves project. The Tayberry jam is both a safe and spectacular introduction to jam and “good-enough-to-eat-all-by-itself-on-a-spoon” jam eating, which I think is what artisan jam-making and eating, at its core, is all about. Savoring.

But does having the word heart in a name teeter on New Age (wu-wu)? I know, who cares. Heart is timeless and endlessly re-claimable. And (because it’s always best to look over my shoulder and see what other people are doing just to remind myself of both my daily small insecurities and the constant search for relevance) a very cool coffee roaster in Portland Oregon is named Heart!

The search for a name is really a traverse through personal language associations. Heart associated with coffee sounds tender and gutsy, but with fruit preserves, perhaps a more feminine realm than coffee (really? where do I get the idea that coffee is more butch than fruit?), the word heart might just be pretty and sentimental. And what’s so bad about pretty and sentimental….blah, blah, blah.

While I continue to traipse through this, here are some funny and serious ideas compiled during walks with Amy and I and Beans the dog.

Killer Bee Jams

Bee Fruits

Embroidered Fruits

Embroidery Room Preserves

Bedizen Preserves

Foggy Window Preserves

V Be Jammin

Lez’Bee In Jam

Hive Fruits

Wide-Eyed Preserves

Open Jam

Ajar Preserves

Apini Jams

Worker Bee Preserves

Tayberry Heart Preserves.

When the fruit couldn't wait I took a picture.

This past summer, I took a lot of photos of fruit and honey boiling down to jam. Steam and bubbles obscured any chance of my phone's measly camera capturing 'the action'. I'd pull the pot of jam off the heat and try to capture the dynamics of a jam in progress, the shimmer and gloss of sugars condensing and concentrating. Really I was trying to capture the excitement I felt for the jam in the pot on that particular day and more generally, with each camera-on-jam attempt, I held up the excitement I felt for this honey preserves project.

I've been working on making honey preserved fruit products and recipes since May of this year. The idea of Stovetopletters was that it could serve as a spotty, but spontaneous recording device for the work I did in the kitchen. I like to write. It's what I studied in school but for me it feels more comfortable to be studious about food and unbidden about writing.

Still, I have all these jam related pictures, pictures meant to accompany posts that I didn't write. As I clean up after the coming out / launch party I threw this last weekend for my honey preserves project, part of the tidying entails going through roughly 2.5 seasons (May-November) of food photographs. Here they are with abridged explanations, otherwise known as captions.

Preserves layered in a late May birthday cake.

20121119-145909.jpg

All the parts of a three day marmalade combined in one bowl before the cook down that transforms the juice, the honey and the fruit slices into a beautiful marmalade.

20121119-150200.jpg

On my way to the Queen Anne Farmers Market.

20121119-150340.jpg

An everyday work lunch brightened by a jar of preserves.

20121119-150539.jpg

With jam making goes scrubbing. It only took an afternoon of jamming to do this to the wall next to my stove. Also, this was the hottest day of the year in Seattle and I had bought waaaaay too much fruit at the farmers market.

20121119-150926.jpg

Thank goodness for these ones. You know, bees!

20121119-151205.jpg

I transported the fruit home home by bus. Waiting on the 49, thinking about Tomato Preserves and Strawberry Nectarine Jam.

20121119-151423.jpg

Sometimes it's hard to remember to put some away for the winter.

20121119-151639.jpg

Then the tomatoes in our Seattle P-Patch ripened and I made Tomato Marmalade with oranges and lemons.

20121119-151928.jpg

Two of us rode our bikes to Edel's house, picked up her Vanagon and drove to Christine's yard where we picked plums and prunes. The prunes ripened in our apartment and I spent the next three weeks making plum and prune preserves.

20121119-152440.jpg

20121119-152535.jpg

I loved making this jam. I picked the apples from the tree across the street from my Capitol Hill apartment building. The plums and prunes are from Maple Leaf.

20121119-152900.jpg

Sharing jam with my family in Vermont. That is a Vergennes Laundry wood-fired oven croissant.

20121119-153108.jpg

My father passed away in October. I had to wait a couple days before I could leave Seattle and get back east. On my parents land in Vermont, they had apple, plum and pear trees. While I cooled my jets in Seattle I made this jam to honor my father's passing. Vanilla, Apple, Pluot, Pear with Lemon. Considering my dad's personality, the jam turned out appropriately, the flavor was layered, the texture complex.

20121119-154103.jpg

I used the peel to infuse in some ginger liqueur to be used in next year's preserving cycle. More presently--I thought to myself as I ate the rest of the orange--full-fledged winter, citrus, and marmalade season are coming!

20121119-154931.jpg

Here is the ginger liqueur in process.

20121119-155059.jpg

Setting up a store of kinds in my apartment. My first jam tasting, Jam Party!

20121119-155238.jpg

Dessert or breakfast? I now have one jar open of every jam I made this year, which is a number over 30. I've got some serious eating to do. If you are in Seattle, feel free to contact me if you want to lend a hand. You bring the ice cream, yogurt, scones, gluten free toast, etc, and I have the jam.

20121119-155605.jpg

The Marm is Back

It's still autumn. I mean really we're just settling into it. We're grudgingly accepting the rains even as our soil must rejoice.Fall and winter whisper together this time of year. They have to. A winter is warmer with a busy fall behind it; stocking up on winter squash and finding the coolest place in an apartment to store it, tucking apple butter into the canned goods cupboard (or maybe just buying my apple preserves instead), cranberries stockpiled in the freezer, bargain cabbage scooped up and shredded for sauerkraut.

I willingly let winter whisper in my kitchen this week as I made marmalade. Nothing says winter like marmalade. It's not technically bound to using citrus as a medium, but I think the marmalade-equals-citrus-association is strong and winter definitely equals citrus. Marmalade is just a sticky word to define. My current working definition is fruit solids (ranging in size from shreds to chunks) cooked and suspended in jelly. The Pear and Lemon Marmalade I made with warm spices, Ceylon cinnamon (otherwise known as True Cinnamon), Cardamom, and Clove hovers in thought between the deeply autumnal feel of the University Farmers Market this weekend and resolutely wintry feel of the drenching rains of Sunday and Monday.

Usually my preserves making is a squeeze between sleeping and working. I always buy too much fruit at the market because my mouth and mind swell with all the jamming, marmalading potential housed in the vendor booths. But this week has had no squeeze. Instead I've had several very pleasant days off as I decompress from leaving my job at Theo Chocolate and wait for the paint to dry at The Whale Wins where I start working tomorrow!

This positively lazy marmalade is my honey adaptation of the Rachel Saunders' Blue Chair Fruit Cookbook recipe for Pear Lemon Marmalade. Someday soon I will pass along one of my recipes....I keep copious notes, but they are not copious enough. I get fuzzy with the cooking times and five minutes before the preserve sets and it's time to bottle and reset the timer, well, it always seems like all hell breaks loose in that time period.

Ceylon Cinnamon, Clove, and black cardamom seeds crushed in their pods all go into a tea infuser, which hangs out in the cooking marmalade until the preserve sets.

Just starting to cook.

Entering the final stage of cooking.

Look at those wrinkles! This marmalade is set.

Jarring the Marmalade and pulling it from the oven after 15 minutes have passed.

Rich by the gallon

20120927-084508.jpg Raw honey arrived from Silverbow! It's honey produced from the region of country I live in, the Northwest. This is 60 lbs of Blackberry flower honey. Its becoming my go-to honey for fruit preservation; sugary, straightforward, with mild fruit notes. It is so satisfying to scale honey out of this bucket when I'm measuring for preserves. Like I learned from working at Theo Chocolate and handling equally large quantities of corn syrup, the best way to move between these buckets and the food scale is with a big silver spoon dipped into the blond amber, toggled one way then the other with the flick of my wrist to prevent drips and plop! Honey sliding over cut fruit ready to macerate for a day or two.

20120927-085826.jpg

Nectarines kept under the surface of their own juices. This is maceration; fruit, honey, lemon.

the Bay, the Mother Jam

Instead of making Blackberry Jam I'm in San Francisco. I arrived on Saturday. I'm on vacation from chocolate work at Theo in Seattle and I'm marking my birthday, which is today! It's a low key day. I walked 2.5 miles from where I'm staying to get a coffee. That might sound either high or low key to you. It's high key if I think about the internet-exclaimed, coffee related opinions I spent too much time reading through this morning before making my caffeine pilgrimage. But it's low key when I have the time to walk 50 minutes to sit and drink. I'm at Haus in the Mission because I wanted the comfort of its unvarnished pine cocoon. I must be craving slices of the forest. Looking around as a tourist in San Francisco, the city feels more urban than my current Seattle home. But even as a stranger here, I'm seeing so much I like. One of those elements being JAM-ness. And I haven't even tried to collect the evidence that the Bay Area is a/the center of preserves. It's just really apparent. Well, I guess the 'apparent' part comes from the preserves-shaded glasses I wear. I look into shop window and the packages of hand-rolled crackers and cotton sacks of heirloom beans fade beside the shelving for preserves. In the space between caramel sauces and 5 oz. jars of honey there are the marmalades, butters, and jams from June Taylor, Blue Chair Fruit, Jam, Frog Hollow, INNA.

I met one the owners/makers (it's a two person company) of Jam (welovejam.com) at the Sunday Inner Sunset Market. I perused their market stand with my friend Jason who eats sugar so he tried several samples from the jars on hand. I chatted with the jam-maker while Jason tasted. Jason worked on finding which plum varietal jam he actually wanted to buy (the welovejam.com website says that if a preserves jar doesn't list the fruit variety then you should run!). Jason loved what he tasted and the Jam owner had a lot of flavor himself. He was very opinionated and possessed a healthy sense of pride in the product AND when I asked him about the vogue, the market and energy for preserves making in the Bay Area, he answered by saying that he was the first. He started the trend. Our interaction reinforced several ideas for me.

1. The "We are the BEST" marketing approach is powerful! I think it's kind of impossible to be the best (at least for very long) in a realm like arts and crafts. Better to be really fucking good and enjoy what you're doing. The "best" things seems so high stakes to me because if you aren't the best (a status sanctioned by a combination of the critics and the fans) then it's kind of awkward if not straight up embarrassing. Instead of being confident you just come across as blind. The "best" game relies on the sanctity and anxiety of  "what do they know that I don't?". Many people are cowed in this situation. They're sheep-like and repeat the emphatic opinion as their own. (Like the guy I heard in the Ferry Building yesterday saying Scharffen Berger was the best chocolate maker in the country. His friends nodded along. I work for a U.S. chocolate maker that claims that "best" title for themselves too.) Or, people are purely student-like, "okay that's the best, got it, got it..." But knowing about the best feels like you're getting in on something. It's got a serious pedigree association. Knowing about the best gives us the chance to be part of the best. That's pretty exciting. And I totally went for it when I listened to the Jam owner. As I stood in front of his market stand ready to be influenced, trying to suss out what I was seeing and hearing, Jam's relatively low prices for artisan preserves had me initially wondering about the quality, but when the owner stated with deep, slightly patronizing conviction that his product was the best, I had this scrambling moment of "shit, I better get on board with this or I might never know the best!!".

2. Sometimes one person's opinion is another person's opportunity AKA Rules are meant to be broken. a) I've picked up a lot of jam jars in the last 4 days. I tip them side to side to see how much the preserve moves in the jar. I'm checking the set. Soft set rules! I'm still astonished by how well-accepted soft set preserves are by consumers in this artisan jamming market. I put a lot of pressure on myself to achieve a pretty solid set with my preserves so every time I tip a jar and see the contents do a lazy slosh to the side I get a feeling of wonder and relief. It's an invitation to worry less about set and cook with even more flavor focus.

b) Difference is branding. Blue Chair Fruit thinks a jam lacks balance without lemon juice included. My background in restaurants leads me to agree with this. Acids brighten and pop flavor. INNA Jam cooks differently. They are fruit focused first and last which for them means no lemon in there. They don't work with citrus at all. And they are comfortable using a commercial fruit based pectin. All the way on the other end of the spectrum are the folks at Jam. They don't want lemon or commercial pectin in their jams. It's just fruit and sugar. When I compile all these opinions and self-imposed rules the sum total isn't confusing. The message to me is: do your thing!

My thing is honey preserved fruit.

Lionel Loves Jam

A friend I had not seen in almost four years recently visited me in Seattle. She helped me taste a lot of jam. It was our dessert after a lunch we shared. I braised lamb shanks in Apricot Chutney I canned last year and with them we ate copious amounts of cheese from the cheese shop down the street (the Calf and Kid) and greens from my garden. We still needed something sweet. I got out almost every spoon in my kitchen and we tasted and tasted. She was especially drawn to the Marmalades for their texture and bittersweet citrus tang, but she also ended up buying Blueberry Butter for her daughters and the Apricot with Espelette, Cardamom, and Star Anise for curiosity's sake. My friend's back home in Texas now, but she's been sending me videos of her daughters and their friends, like Lionel (the Lion), eating jam. They are adorable. Check it out: http://www.facebook.com/photo.php?v=622389625193

Bachelor Jam

I'm starting late, but today I fired up a batch of Rumtopf aka Officer's Jam aka Bachelor's Jam. It's not jam at all, but booze soaked fruit. It's made in a crock with gradual additions of fruit as its ready. With each layer of fruit one adds a certain amount of accompanying sweetener (honey in this case), which mulls with the fruit for about an hour before several cups of gin, vodka or brandy are added. I've only used vodka. By the holidays the jam will be ready. Today I'm starting with cherries and strawberries and half a handle of vodka.

20120805-170731.jpg

Thursday at the Market

It's been over a hundred degrees in parts of Eastern Washington where so much of the fruit I use in the preserves grows. I wondered how this would reflect at the market. What would have popped and what would be waning? The fruit looked similar to last week, maybe a few more fuzzing, softening cherries to tease out from the tangles of stems and fruit I picked out of the vendor's plastic tub. Also too, more blueberries, bigger zucchinis and the arrival of golden raspberries or maybe I just didn't catch them last week because I was obsessing over Apriums. I was on a heavy duty fruit run at the Queen Anne Farmer's today. I think I almost busted my basket getting the goods home. Certain farms, Billy's Gardens and Mair Taki come to mind immediately, separate their goods into 1sts and 2nds for the market. The 2nds mean cheap prices and the product's usually got to be used fast. But the 2nds Apricots at Billy's were gorgeous, small, but blush-gold-colored, and firm. Their imperfection? smaller-than-a-pin dots on the skin, the sales person pointed out. My next preserves project is to combine those Apricots with the Rainier Cherries I stocked up on at the stand opposite to Billy's.

Stone Fruit

If you don't count the tiny "stones" in cherries then Apriums are usually some of the first stone fruits at the market. The bee fruit honey preserves subscription is about to kick off and in this week's kettle I've got Apriums. I'm making a perfume-oriented jam with dabs of orange blossom water and almond extract. I found some gorgeous, firm and ruby orange Apriums at the Queen Anne Farmers Market yesterday. Bombin' market by the way. I'm taking several days off from work and it's the perfect time to do some jam cramming, but first I had to find a nearby Thursday farmers market. Queen Anne was the closest. It was my first visit to this independent Seattle neighborhood farmers market. It's a couple bus transfers away from home for me but the market was worth the trip. Lots of folks and vendors there that you don't see at other markets. The Apriums are spending an afternoon in the sun of my kitchen window before they get macerated overnight with honey. While the Apriums are hanging out I'm making strawberry cake and I'm seeing if I can get a lemon curd to hold together with chunks of strawberry in it. I want to use that as the cake frosting. What are you doing on Saturday? Want to come over for cake?

20120706-142457.jpg

Label it!

I'm heading up to Wallingford this evening to see the drawings that graphic designer and artist, Nova Askue, has come up with this week. I know Nova through a co-worker I met while working at Sitka & Spruce. She does beautiful letterpress work among other visuals. Check Nova out here: http://www.etsy.com/shop/novaASKUE?ref=seller_info or novaaskue.com. Nova's helping me develop the image I've been carrying around in my head --for the honey preserves label--into a wood-handled stamp. Tonight she's showing me some thumbnail drawings of baled jars (those old, all-glass bottles with the metal clasp), bees, and fruit blossoms. I'll post pictures as soon as I get a look at them!